Reog is one of the]artistry of culture coming from East Java part of and barat-laut of Ponorogo considered to be [by] town of Reog which in fact. Town spandrel of Ponorogo decorated by figure of Warok and of Gemblak, two figure which follow came up at the time of Reog demonstrated . Reog is one of the]cultural evidence of area in Indonesia which still very with things smelling strong spiritualism and mystique.
Kuda Lumping/Lemping (Trance Dance Horses)
Among the traditional dances of Java are a number of trance dances. Kuda Lemping (or Lémpéng but often misspelled Lumping so non-Indonesians will know how to pronounce it) is one of these trance dances, in which masks for spirit characters and flat woven bamboo horses are the main props. The dance is about the battle of good and evil, with the horse riding characters going into a trance where they behave like horses. The name Kuda Lemping literally means “flat horses.”
Ketoprak ( Javanese of kethoprak) is of a kind stage art coming Javanese. In a bag of ketoprak, sandiwara interspersed with Java songs, accompanied with gamelan presented. Story theme in a show of ketoprak all kinds of. Is usually taken away from [by] legend story or Java history. There are]also many taken [by] stories from abroad. But story theme have never been taken away from by epic story repertoar ( wiracarita): Ramayana and of Mahabharata. Cause wait to demonstrate [is] not ketoprak again but become puppetplays of people.
Wayang Kulit (Shadow play)
Shadow play is Indonesia folk art, most off all expand in]Java and in eastside peninsula of Malaysia as in Kelantan and of Terengganu. Shadow play played by a puppeteer (dalang) which also become narator dialogued by puppets figures, accompanied by music of gamelan played a group of Javanese song and nayaga warbled by all pesinden. Puppeteer play shadow play at the opposite of kelir, that is made [screen/sail] of white cloth, whereas rear him flashed by electric light or oil lamp ( blencong), so that all audiences residing in beside the differ from screen/sail can see puppets shadow which fall to kelir. To be able to comprehend story of wayang(lakon), audience have to have knowledge of puppets figure will which the was shadow of coming up in screen/sail].
In general puppets take story of copy of Mahabharata and of Ramayana, but do not limit only with pakem ( standard), puppeteer ki can also play act of carangan ( composition). Some stories taken away from by Pennon story.
Puppetplays of husk have confessed by UNESCO on 7 November 2003, as marvellous culture masterpiece in the field of story of narasi valuable and beautiful heritage and ( Of Oral Intangible Heritage Humanity of and Masterpiece ). More popular Shadow play in middle Java shares and east, while a more regular marionette played by in West Java. edit]See also